Genre Last Lyric Universe Z
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Classic American Popular Song An excellent genre last lyric universe z and much-needed contribution to the literature of American popular song-Phil Furia, author of The Poets of Tin Pan Alley, University of North Carolina · Answers the question: What`s happened to American popular song since World War II? Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades; Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding genre last lyric universe z and successful work: Johnny Mercer genre last lyric universe z and Dorothy Fields, for example, continued to produce lyrics through the early `70s. These works could be explained as simply the Golden Age`s last stand, a refusal of major figures to give in to a new reality. But then, how explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock genre last lyric universe z and Sheldon Harnick, Fred Kander genre last lyric universe z and John Ebb, Jules Styne, Alan Jay Lerner genre last lyric universe z and Frederick Loewe, genre last lyric universe z and several other major figures? Where did Stephen Sondheim come from? This book tackles the issue head on, answering questions like: Was there a decline in quality or quantity of pop song after 1950? Were the highly successful writers who emerged after 1950 working in an antiquated style? Did they, perhaps, adopt new musical genre last lyric universe z and verse techniques, genre last lyric universe z and thus shape a new genre--perhaps to be judged later, in retrospect, as a new classic style? Are the post-1950 songs as memorable, viewed now after another 50 years, as those that came before--to audiences, singers genre last lyric universe z and musicians, or in the broad American cultu Copyright (C) Muze
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